“I don’t think we felt any pressure from Richard, although we felt pressured by ourselves.” “Richard was very patient with us,” says de Buhr. But the synergy between band and producer improved on subsequent releases. Perry – who the following year would mastermind Barbra Streisand’s breakthrough album, Stoney End, which also featured June Millington on guitar – had a light touch that didn’t bring out the best in the girls. In 1970, the band that would become Fanny – completed by keyboardist Nickey Barclay – entered the studio to record their debut album, with Perry producing. It was an unseemly, uncalled-for fate for the pioneering Queens Of Noise. Is there much about them in the history books? Sweet FA. Meanwhile, Fanny – the first all-girl rock band to release an album on a major record label – faded into bitter obscurity. They did it.” True to his word, Fowley hit pay dirt with his jailbait fantasy The Runaways. Why not? We knew we were opening the doors for other female bands, only now it was a guy who was going to take advantage of it. I went kind of quiet for a second, because I do think about things, then I turned to him and said: ‘Why not?’ That was my assessment. Because Fanny was working real hard but we weren’t making very much money. “He said, like he’d just had this bright idea: ‘I’m going to form a band like yours but we’re going to make money.’ And that last part was what would make the difference. “Kim Fowley came into our dressing room at the Whisky A Go Go,” recalls Fanny guitarist June Millington. Fanny could do it all – and spent their entire career battling to win over the cynics and non-believers. No one believed that four women could possibly be skilled songwriters and musicians, much less be able to rock with the commitment and ferocity of their male counterparts. When Fanny formed in 1969, the music world was an entirely different place.
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